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During al these years of history we have found a lot of enriching playwrights, that have made our study and development in several theatrical techniques possible, we are always looking for our own aesthetics so we can develop an inner comunication with the audience: our reason to be.
| 4 M U J E R E S (4 WOMEN) | by Edgar Allan Poe | 2008 |
| LA CAÍDA DE LA CASA USHER - VELADA GÓTICA I (THE FALL OF THE HOUSE OF USHER – GOTHIC EVENING) | by Edgar Allan Poe | 2007 |
| FERNANDO GONZÁLEZ - VELADA METAFÍSICA (FERNANDO GONZALEZ - METAPHYSICAL EVENING) | Collective Creation | 2007 |
| EL HADA Y EL CARTERO (THE FAIRY AND THE POSTMAN) | Collective Creation | 2005 |
| JUEGOS NOCTURNOS 2, VELADA PATAFÍSICA (NIGHT PLAYS 2, PATAPHYSICAL EVENING) | ¿by Alfred Jarry? | 2004 |
| M E D E A | by Lucio Anneo Séneca | 2002 |
| LOS CIEGOS (THE BLIND) | by Maurice Maeterlinck | 2001 |
| LA CHICA QUE QUERIA SER DIOS (THE GIRL WHO WANTED TO BE GOD) | Collective Creation | 2000 |
| HECHIZERIAS (WITCHCRAFT) | Collective Creation | 1999 |
| DOÑA ROSITA LA SOLTERA (DOÑA ROSITA, THE SPINSTER) | by Federico García Lorca | 1999 |
| LOS BELLOS DIAS (HAPPY DAYS) | by Samuel Beckett | 1998 |
| LECTURAS DRAMATICAS (DRAMATIC READINGS) | Several Dramatist | 1998 |
| LOS DIPLOMAS (THE DIPLOMAS) | by Andrés Caicedo | 1997 |
| ANGELITOS EMPANTANADOS (LITTLE BOGGED-DOWN ANGELS) | by Andrés Caicedo | 1995 |
| PINOCHO (PINOCCHIO) | Collective Creation | 1993 |
| PERSPECTIVAS ULTERIORES | by Franz Xaver Kroets | 1992 |
| JUEGOS NOCTURNOS I (NIGHT GAMES I) | by Jean Tardieu? | 1992 |
| NOCHE DE NAVIDAD EN CONCIERTO (CHRISTMAS EVENING WITH CONCERT) | Collective Creation | 1991 |
| EL ASTROLOGO COROCONCHOLUS (COROCONCHOLUS THE ASTROLIGIST) | Collective Creation | 1991 |
| O MARINHEIRO | by Fernando Pessoa | 1990 |
| CHORRILLO SIETEVUELTAS | Collective Creation | 1990 |
| FIESTA (PARTY) | Collective Creation | 1989 |
| CONFESIONARIO (SMALL CRAFT WARNINGS) | by Tennessee Williams | 1989 |
| LA CANTANTE CALVA (THE BALD SOPRANO) | by Eugene Ionesco | 1988 |
| VIAJE COMPARTIDO (SHARED TRIP) | by Marco Tulio Aguilera and Andrés Caicedo |
1988 |
| LALOLILALOLA | Creación Colectiva | 1988 |
| LA VOZ HUMANA (THE HUMAN VOICE) | by Jean Cocteau | 1988 |
| LA ZAPATERA PRODIGIOSA (THE SHOEMAKER'S PRODIGIOUS WIFE) | by Federico García Lorca | 1987 |
| TITIRITAINA | Cllective Creation | 1987 |
| RECITAL DE VILLANCICOS (CHRISTMAS CAROLS CONCERT) | 1986 | |
| RECITAL MUSICA POPULAR (TRADITIONAL MUSIC CONCERT) | 1985 | |
| RECITAL DE MUSICA INFANTIL (CHILDREN'S MUSIC CONCERT) | 1985 | |
| RECITAL DEL RENACIMIENTO (RENAISSANCE CONCERT) | 1985 | |
| CAJON DE MUERTOS (DEAD COFFIN) | by Cristóbal Peláez | 1985 |
| ESPANTAPAJAROS (SCARECROW) | Collective Creation | 1984 |
| VIA PUBLICA (PUBLIC WAY) | by Cristóbal Peláez | 1984 |
| PARTE SIN NOVEDAD | by Augusto Boal | 1983 |
| LUX IN TENEBRIS | by Bertolt Brecht | 1983 |
| JORGE ZALAMEA BORDA | Tribute to Jorge Zalamea Borda | 1981 |
| LA COMEDIA DE FACUNDINA (FACUNDINA'S COMEDY) | Collective Creation | 1980 |
| GRITOS PARA ORIENTAR UN DISPARO (SHOUTS TO LEAD A SHOT) | Tribute to Ciro Mendía |
1980 |
| LA ESTATUA DE PABLO ANCHOA | from the Galería Salesiana | 1979 |
| ¿QUÉ CUENTO ES VUESTRO CUENTO? (WHICH IS YOUR STORY?) | Several Writers | 1979 |
MATACANDELAS THEATER
Calle 47 No. 43 - 47 Medellín Colombia
Tel: (+57-4)2151010
Telefax: (+57-4)2391243
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